Waste Deep
Here I will only observe that yesterday, as the scope of the Gulf Coast catastrophe was becoming known, the president was photographed ‘playing’ a guitar.
The comparison with Nero (who was known to play a roman instrument called a ‘fidicula’ - which was really closer to what we would recognize as a guitar; ‘fiddle’ being a poor translation.) is too apt and should be avoided.
However the fact that this utterly image-conscious administration would allow this photo-op to go forward - even assuming it was doing everything it could behind the scenes to coordinate relief - is utterly incomprehensible and can only be factored by considering how unsympathetic, how fundamentally heartless the people presuming to run the government are.
New Orleans is a cradle of American music. For this president to allow himself to be photographed with a guitar, dry and new, while our symbolic center of musical invention is destroyed shows not only a misunderstanding of the conditions on the ground there but also a fatal insensitivity to the invisible causes and forces that have shaped this nation.
For some idea of the natural and economic forces at work here, and what is at stake for the country as a whole, I highly recommend John Barry’s history of the great Mississippi flood of 1927, “Rising Tide”. New Orleans barely avoided catastrophe then; but it was the mismanaged aftermath of the crisis, which lingered for months, that signaled the profound social changes that followed so soon afterwards.
The comparison with Nero (who was known to play a roman instrument called a ‘fidicula’ - which was really closer to what we would recognize as a guitar; ‘fiddle’ being a poor translation.) is too apt and should be avoided.
However the fact that this utterly image-conscious administration would allow this photo-op to go forward - even assuming it was doing everything it could behind the scenes to coordinate relief - is utterly incomprehensible and can only be factored by considering how unsympathetic, how fundamentally heartless the people presuming to run the government are.
New Orleans is a cradle of American music. For this president to allow himself to be photographed with a guitar, dry and new, while our symbolic center of musical invention is destroyed shows not only a misunderstanding of the conditions on the ground there but also a fatal insensitivity to the invisible causes and forces that have shaped this nation.
For some idea of the natural and economic forces at work here, and what is at stake for the country as a whole, I highly recommend John Barry’s history of the great Mississippi flood of 1927, “Rising Tide”. New Orleans barely avoided catastrophe then; but it was the mismanaged aftermath of the crisis, which lingered for months, that signaled the profound social changes that followed so soon afterwards.

