It may be The City That Never Sleeps, but I’m a mess now if I don’t put in at least two hours napping in it most afternoons. If, as Charles de Gaulle opined, old age is a shipwreck, then middle age might well be a barge with a snapped bow line. You still get places, but without knowing exactly how. Drift is everything.
So I was drifting along peacefully enough last Sunday, preparing for the evening’s baseball excitement by netting a few Z’s under the black and white awning of the
N.Y. Times when I was startled from my demi-doze by what I took at first to be a vicious exchange of spite and rude opinion from the street outside. Turns out it was only me reading the
Book Review aloud in my sleep.
Christ what a nuisance that publication has become. Once a dull, reliable compendium of earnestly written opinion and a fairly reliable judge of stature, if not merit, now that no one reads anymore, the
Book Review has devolved into a reptile house of sharp-toothed, myopic and cold-blooded fauna that have burrowed into inert masses of text to tear and hiss at all who may venture too close to the window.
I will bet that if they could, the
Times art department would banish words completely from the
Review’s front cover. As it is, they cobble an illustration together with several sentences in 20 point type to whet the appetite for what’s inside. This week it was a review ostensibly written by Henry A. Kissinger, a noted war criminal, on a biography of Dean Acheson, Secy. of State for Harry Truman.
Oooo, Mama, let’s dive in.
Predictably the Kissenger essay was an exercise in name-dropping and glowing fustian observation from a man who in his own career found no situation which could not be improved, if only a little, by bombing. The upshot? Henry admired ol’ Dean, especially when he came 'round to Nixon's side. Statecraft can be thankless and complicated. The book is okay.
Dashing to subjects I actually care about, I went over the reviews of new biographies of Johnny Cash and the late founder of the
National Lampoon, Doug Kenney.
For the Kinney piece the
Times set loose its television critic, Virginia Heffernan. Between you and me, I don’t think anyone reads TV criticism, except those editors required to insert such pieces into otherwise decent newspapers and magazines. In reviewing a mere book, Heffernan stretches no further than to generally pick on TV writers from Harvard (E-Z) and those of Kinney’s self-involved friends still alive who care enough about Kenney to speak to his first biographer a quarter-century after his death.
Heffernan, who I'm guessing went to Princeton and is all of 26, closes the pan with a pean to, of all people, P.J. O'Rourke, the man who, paraphrasing Michael O'Donohue, turned the
Lampoon into a collection of tit and barf jokes. It is
O’Rourke, who got famous mocking Democrats, Koreans and the rest of the silly uncool for
Rolling Stone when Reagan was prez, and who was swallowed by the conservative dinner circuit decades ago, whom Heffernan sez
changed comedy forever. Inasmuch as Heffernan has herself certainly changed criticism forever, she must be right.
Far worse than the critic who unloads on bystanders, though, is the one who shows off for the class. Step right up, Douglas Brinkley and tell us what you know about Johnny Cash...
Long before Johnny Cash became immortalized as the “Man in Black" because he refused to wear rhinestones at the Grand Ole Opry, he was grappling with twisted visions of sin and salvation, like a soapbox preacher trying to decode God’s Plan in the public square. Gospel songs like "I'’ll Fly Away" filtered through him and never left. Raised impoverished during the Great Depression, this brooding young Arkansan absorbed tall tales and hillbilly banter like a kerosene-hungry railroad lantern.That's the lead. You get the feeling that Brinkley wishes
he wrote the book and Michael Streissguth reviewed it? I do. Brinkley liked the book, but he likes himself better.
What else was folded into the meatloaf this week? Well, Jacob Heilbrunn, "a frequent contributor to the Book Review" gave a pretty good account of
Hubris, one of the new How We Fucked Up Iraq books that are now appearing like pumpkins this fall. Yeah, Jake liked it, but he cautions, "Where Isikoff and Corn themselves go astray is in their own obsessive focus on Judith Miller and The New York Times[...] out of all proportion to their true significance." Having contributed several dozen column inches to another section of the
Sunday Times years ago, I can assure you that the paper does not pay nearly enough for such hysterical, in all senses of the word, loyalty. Heilbrunn is a pet.
The French court is IN thanks to that Sophia Coppola flick, so two reviews, on over two pages, consider books on the women and clothes which made the deluge so
apres moi. Half a page goes to J.C. Oates' 311th novel dealing with murder, madness and girls; Margaret Atwood and Edna O'Brien get fair appraisals of their latest works. Bill Bryson and Adam Gopnik also get their tickets punched, but in ways that nip a little flesh from their writing hands. But the hatchet job this week is reserved for the deserving Jonathan Franzen.
I have no opinion of Franzen, other than he appears to be just another not-untalented careerist schmuck who rode a good agent to the top. One Daniel Mendelsohn unloads on him here. "Excessively lofty sense of himself" is part of the first, rather long, sentence.
You know what I think? I think if a mediocre writer produces a bad book
you don't have to review it. Use the ink to seek out merit, and praise the deserving and obscure. Believe me, I am all for pilloring jackasses and mocking connected, overeducated fools, (I mean, what are blogs
for anyway??) God knows our literary life is in such extremis that maybe regular shocks are the only thing that keep it respirating. But just in case it is being killed by the very forces of avarice and spite that have made our journalism and politics such a vale of light, the goons with blood on their hands look like the ones in charge of the patient.